Yoshizumi Aimi and Sasajima Kaoruko are comic duo, Their dream is to become popular and stand on the Broadway stage.However, their names are not well-known, and they have to do part-time jobs.To make their names popular, they decided to do side job. It is heroines of justice, They will beat villains one after another, but after that, there is nothing but ruins. People are afraid of them and even rumor that they are evil.

After a horrific attack on his wife and daughter, Metin's life is turned upside down. Driven to take revenge, Metin soon finds that vengeance is a brutal road.

A group of idiot stoner actors in Los Angeles attempt to infiltrate J.J. Abrams estate in order to get cast in Star Wars.

Plot TBA. The third installment in the True Justice film series.

Ex-conman Junpei plots revenge on a corrupt corporation by leading a team of swindlers posing as politicians. A slick crime comedy of cons and payback.

Shimao, a university lecturer, has developed a nervous breakdown due to interpersonal relationships within the university and is currently on leave. At that time, she sees Yume, a mysterious girl in a leotard, performing rhythmic gymnastics on the bank and is captivated by her heart. From then on, lonely men who see Yume appearing on her bank are healed by her one after another. One day, sports writer Mariko sees Yume on the street and realizes that Yume is a girl who was once hailed as a rhythmic gymnastics genius, so she approaches her, but...

A corrupt politician intends to use a powerful weapon to execute an evil plan.

Sonja is a talented athlete. When Sonja’s brother gets mixed with local mafia boss and makes a mistake, he goes after them. This sparks a chain reaction which involves a murder, and a police investigation.

Auditors arrive at a cryonics lab. One of the frozen subjects is missing.

Produced for BBC1 television and first broadcast 1991. Rodney Ackland's Absolute Hell takes place in June 1945 during two months after VE day. The war in Europe is over and a general election is imminent. In London’s Soho, across the street from the Labour Party Headquarters, club owner Christine Foskett (Judi Dench) is readying her bomb-scarred establishment for another evening of serious drinking and flippant chat. A home-away-from-home to so many of her bohemian regulars, La Vie en Rose, as the club is appropriately named, provides a rosy environment that anesthetizes the pain caused by the absolute hell of the losers, spongers, fulfilled and unfulfilled predators of all four sexes, people with little sense of the past and still less sense of the future. Everything revolves around Christine the mistress [in both senses of the word] of the squalid rebels there. Terrified of her own company, always let down, she races towards disaster like a lipsticked, human hamster on a wonky treadmill. Her club is falling down, Scotland Yard looms ready to destroy it if bomb damage doesn’t do the trick. In the house across the road Labour supporters are toasting the start of a political era, but in the club an era is ending.